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GATE III wurde beim Internationalen Filmfestival in Dahlonega / Atlanta für das Beste Experimentalvideo nominiert.
Über GATE III:
Experimentalvideo von Michael Mastrototaro, Sabine Maier (Bild) und Christoph Theiler (Ton)
Ausgangsmaterialien zu GATE III sind zerhackte Natursounds, die mit Ultra-Low-Frequency-Wellen kombiniert wurden. Das Soundmaterial wurde mittels direkter Digitalisierung in Bilder umgesetzt. Vor dem Hintergrund sanfter Farbflächen entwickelt sich ein nervös zuckendes Spiel von Bild-Flüssen im Millisekundentakt.
Der Betrachter erlebt einen Raum, der von aggressiv pulsierenden Licht-Tonereignissen durchflutet ist.
In GATE III verschmelzen Bild, Ton und Bewegung zu einem verwirrenden Ganzen. Sinneseindrücke können hier in einer Weise erfahren werden, in der sich "jetzt", "vorher" und "nachher" vielfach überlagern, Hör- und Bildeindrücke gegeneinander verschieben.
Unruhig vibrierende Bewegungen gipfeln in Resonanzwellen mit oszillierendem Eigenleben.
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GATE
III was nominated by the international Filmfestival in Dahlonega/Atlanta
for the best experimental video.
About GATE III:
Experimental video by Michael Mastrototaro, Sabine Maier (Video) und Christoph Theiler (Sound)
Basic elements of GATE III are granulated sounds of natural origin, which are combined with ultra-low-frequency-waves. Theses sounds are directly digitalized into pictures. In front of a gentle moving coloration, arise a nervous twitching play of picture flows in the rhythm of milliseconds.
You see a space, which is flooded by aggressive and pulsing light and sound events.
In GATE III, picture, sound and movement merge themselves to a confusing whole.
Sensory impressions can be experienced in a way, in which "now”, "before” and "afterwards” overlap themselves in many times, light and sound impressions move against each other.
Restless vibrating movements culminate to resonance waves with oscillating independent existence.
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Barry Norman, Founder and Executive Director of DIFF about GATE III:
One of the most controversial films the DIFF jury faced, GATE III may at first seem to have been delivered on a defective tape. But, no. This film, only for the very adventurous, catches the cavorting of sophisticated frequencies and statics as they beat rhythmically for the audience's amusement. Perfect for noise music fans and ambient video art enthusiasts, GATE III provoked a disagreement between DIFF juror Jessie McNally (who wanted to fast-forward the piece) and DIFF head programmer Dean Treadway, who insisted on watching it alllllll the way through (although Jessie busted him later on for "straightening up the place" while the film played). Like some weird transmission from another galaxy, the daring, musical, even colorful GATE III will challenge any audience it faces! "Modern art" haters beware!
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